E. Jay Krause, whose recent passing at the remarkable age of 98 marks the end of an era in television history, was more than just an Emmy-winning art director and set designer; he was a transformative force in the realm of variety shows. His adventurous spirit in design spanned from the 1950s to the 1980s, a period many consider the golden age of television, particularly for its vibrant and dynamic variety programs. With his extensive body of work, Krause’s artistic influence carved a unique niche for him, shaping the visual ethos of an industry that thrived on elegance and innovation.
Krause’s portfolio is astonishing, boasting designs for over 180 productions, each showcasing his signature flair. The imaginative landscapes he created for icons like Bob Hope and Diana Ross not only highlighted their performances but also became unforgettable elements of the shows themselves. By crafting an engaging and aesthetically pleasing backdrop, he skillfully amplified the emotional tones of myriad performances, elevating them to an art form. His work was not merely seen; it was experienced, making him an unsung hero in a world often enamored with star power.
Innovator of Iconic Sets
Let’s delve deeper into the cultural relevance of Krause’s designs. His unforgettable sets for “The Hollywood Squares” brought a revival of excitement to daytime television, while his psychedelic patterns on “Rowan & Martin’s Laugh-In” exemplified the spirit of the ’70s, becoming cultural icons in their own right. These designs transcended mere decoration—they became ingrained in the fabric of pop culture, related to our collective nostalgia for that vibrant time. Krause’s aesthetic was not just a reflection of the era; it actively participated in shaping the conversations and trends of the day.
Significantly, his two Primetime Emmy Awards for Outstanding Art Direction in 1970 and 1972 affirmed his status as a leader in art direction, highlighting the importance of set design in television production. They recognized how critical visual elements are to storytelling—an aspect sometimes overshadowed by the narrative itself. Krause’s work became a benchmark for aspiring designers, proof that the right visual context can ground even the most outrageous ideas in authenticity.
A Legacy of Resources and Inspiration
In addition to his work on television sets, Krause founded Omega Cinema Props in 1983, which became a crucial entity in the industry. This independent prop house offered not just supplies but also a treasure trove of imaginative possibilities for set designers and directors, further proof of his commitment to enriching the world of film and television. His lifelong quest for unique pieces from around the globe not only provided invaluable resources for productions but also showcased his unwavering passion for design.
Krause was more than a talent; he was a cultivator of inspiration. The partnership he shared with his wife, Doris, speaks volumes about their collective creativity and shared vision. Together, they created a realm where extraordinary ideas connected with meticulous craftsmanship, ensuring that every production they touched bore the mark of excellence.
Krause’s journey from a World War II veteran to a beacon of creativity in Hollywood is a testament to the power of perseverance and passion. He embraced his time with a zest that few can match, leaving an indelible mark on the art of television—a mark that continues to inspire future generations. His passing is a profound loss, but his legacy will undoubtedly continue to light the way for aspiring artists and designers across the globe.