Andrew Garfield, a talented actor known for his deep character portrayals, recently shared insights about a pivotal scene in his latest film, *We Live in Time*. This romantic dramedy diverges from traditional storytelling, opting for a nonlinear approach that encapsulates the tumultuous aspects of evolving relationships. The film presents an unfiltered look at romance, growth, and the chaos that often accompanies parenthood. Central to this exploration is a frenetic and humorous birth sequence that unfolded under extraordinary circumstances.
In an interview with *The New York Times*, Garfield likened the birth scene to an exhilarating action sequence, drawing a comparison to iconic moments in adventure films like *Indiana Jones*. Set in a gas station bathroom—a location that seems more fitting for a quick pit stop than a life-altering event—the sequence underscores the unpredictability of life’s most intimate moments. Garfield’s character, Tobias, along with Pugh’s character, Almut, navigates contrasting emotions that highlight the intersection of humor and vulnerability during a life-changing event.
The setting for this raucous birth scene was meticulously crafted, with director John Crowley recreating a petrol station bathroom on a soundstage. The filming not only presented logistical challenges but also embodied the essence of real-life situations where mundane elements intertwine with vital moments. Garfield revealed that the scene was meticulously shot over two days, emphasizing that there was a high-pressure feel to the filming, given its chaotic yet authentic portrayal of childbirth.
Garfield’s observations about the scene are candid and heartwarming, particularly when discussing the inclusion of a weeks-old baby. Aware of the unpredictable nature of infants, he accepted the challenges—and joys—of working with a newborn on set. He embraced the comic relief that accompanied the baby’s natural bodily functions, describing those unpredictable moments as “beautiful” and a reminder of the privilege of creating life. In this light, the sequence becomes a celebration of life’s messiness, connecting the audience to the raw experience of parenthood.
The dynamic between Garfield and Pugh further enriches this chaotic portrayal. With a substantial focus on the intimacy of their characters’ connection, Garfield admitted that he found himself mostly acting beside Pugh’s rear end due to the backdrop of the scene, instantly adding a layer of absurdity. Their collaborative efforts transformed what could easily have been a solely comedic scene into something more reflective and poignant.
In *We Live in Time*, what emerges is a delicate balance between the funny and the profound. This film is not just about the romantic journey of Tobias and Almut; it also portrays the intense emotions tied to moments of vulnerability. Garfield’s reflections on the birth scene are a testament to the unpredictability of life and the beauty found within chaos, ultimately creating a cinematic experience that resonates beyond the screen. Through humor, honesty, and a touch of absurdity, *We Live in Time* captures the messy realities of love and parenthood, making it a noteworthy contribution to modern film narratives.