Filming has commenced in Australia on “Saccharine,” a project that is already generating buzz in the indie film sphere. This film marks the third endeavor for writer-director Natalie Erika James, who gained recognition for her significant contributions to the horror genre with films like “Relic” and the upcoming Julia Garner thriller “Apartment 7A.” James has garnered attention and acclaim for her ability to weave intricate narratives that explore deeply personal themes, in this case, engaging with the complex issues surrounding body image and societal pressures. Her track record signals that “Saccharine” is poised to continue her exploration of horror that resonates on a psychological level.
At the heart of “Saccharine” is Hana, portrayed by Midori Francis, a medical student grappling with her self-image in a society fixated on outward appearances. The film plunges into surreal territory when Hana engages in a bizarre weight-loss method involving the consumption of human ashes, leading her into a chilling confrontation with a desperate ghost. This horror-infused storyline cleverly highlights the absurdity of societal norms around beauty while simultaneously critiquing the dangerous lengths to which individuals will go to meet these expectations. The film promises to deliver a unique commentary on body image issues, interspersed with eerie humor and supernatural elements.
Alongside Francis, the film features a stellar cast, including Danielle Macdonald as Josie, Hana’s supportive best friend, and Madeleine Madden portraying Alanya, a fitness influencer. The casting choices reflect a commitment to bringing multidimensional female characters to the forefront, each navigating their own struggles within the warped perceptions of body image and fitness culture. This triangle of characters sets the stage for rich interactions, potential conflicts, and poignant reflections on their differing journeys towards self-acceptance.
Produced by Carver Films and Thrum Films, “Saccharine” benefits from a robust production investment that includes support from Screen Australia, XYZ in collaboration with IPR.VC, and Stan, emphasizing its potential for broad reach. The film is set to have a theatrical release in Australia and New Zealand, with the added anticipation of being available as a Stan Original Film. Such backing highlights an industry acknowledgment of the importance of stories that challenge societal norms, particularly surrounding issues that are often treated as taboo.
Natalie Erika James portrays “Saccharine” not merely as a horror film, but as an intimate exploration of the psychological struggles associated with body image and self-worth. Her statement on the project encapsulates the urgency of addressing toxic cultural messages surrounding appearance. By employing the lens of body horror, she adds an unexpected layer of depth and intrigue, inviting viewers to confront the unsettling realities of their own relationships with beauty standards. This combination of horror and topical relevance is what sets “Saccharine” apart, positioning it as a must-watch that challenges not only the horror genre but cultural perceptions as a whole.
Through “Saccharine,” it becomes apparent that Natalie Erika James is not only a filmmaker to watch but a voice that instigates necessary conversations in a society often shrouded in superficiality. As production in Melbourne continues, anticipation builds for a film that promises to be as provocative as it is haunting.