The recent celebration of Scott Currie’s 60th birthday at the River Club in New York City was not merely an ordinary birthday bash; it was an affectionate homage to the quintessential queen of comedy, Joan Rivers. Even after her passing, Rivers’ presence looms large in the world of comedy, influencing giggles and guffaws from beyond. The evening featured the wit and humor of Rivers, exemplified through a menu item showcasing one of her classic quotes: “I’m so old, my Bible is autographed.” This detail alone set the tone for a night steeped in nostalgia and laughter, echoing in the hearts of the attendees.
As the night unfolded, Joan’s daughter, Melissa Rivers, took center stage to share her warm recollections of Scott Currie, her mother’s longtime publicist. Her speech reflected an intimate side of their relationship, exclaiming that Currie was “the son my mother never had.” She enlivened the crowd with humorous anecdotes about her mother’s mischievous side, particularly her penchant for liberating items from hotels and restaurants. The audience roared with laughter as Melissa referred to her mother’s favorite target: “An unattended housekeeping cart was her holy grail.” Such stories illustrated not only Joan’s vibrant spirit but also the close-knit bond that persists among those she left behind.
The night was elevated by the artistic touch of renowned event designer Preston Bailey, who masterfully transformed the River Club into a replica of the iconic El Morocco—a glamorous hotspot from the 20th century. With blue and white zebra stripes adorning the carpets, chairs, and banquettes, the venue transported attendees back to the jazz-infused era that Joan Rivers thrived in. Elaborate decorations included look-alikes of the original El Morocco’s enormous palm trees and cacti, accentuating a feeling of nostalgia.
The guest list resembled a who’s who of fame and fortune within New York’s social scene, featuring names like Martha Stewart, Dorinda Medley, and Stephen Baldwin among others. Such attendance hinted at the multifaceted relationships Rivers had nurtured over the years; each guest bore a story or an anecdote that could add to the rich tapestry of her legacy.
No birthday celebration in New York City would be complete without scintillating entertainment. Joey Arias dazzled the crowd with an enchanting performance of Billie Holiday songs while donned in an extravagant Thierry Mugler gown. Meanwhile, a comedic spectacle unfolded when George Wayne was spotted disregarding traditional dress codes in his playful “pum pum shorts.” His eccentric antics as he hollered “Butt cheeks!” were indicative of the playful irreverence that Rivers epitomized throughout her career.
Martha Stewart, ever the epitome of elegance with her dazzling diamonds, sparked conversational nostalgia as she recounted moments from her past with Susan Magrino, highlighting their reign over New York’s nightlife during the jazz-age vibe that Rivers revered.
The atmosphere of the event mirrored what many consider quintessentially “Rivers,” balancing a blend of humor, glamor, and a touch of college-like mischief. With Rockettes performing and a dazzling nautical-themed cake introduced amidst indoor fireworks, the evening embodied a celebration that Joan Rivers would undoubtedly have adored. George Hamilton’s commentary—”I practically lived at the original El Morocco, but this is much more fun!”—further illustrated the vibrant energy that filled the room.
As the festivities concluded, guests departed not just with a memory of a thrilling party but also with the clubby ashtrays that recalled the spirit of El Morocco. In a night packed with reminiscences, laughter, and reverence, the celebration honored Joan Rivers’ enduring spirit, securing her legacy in the realm of comedy and captivating the hearts of all attendees, reminding everyone that the essence of laughter is truly eternal.