International

The film industry is witnessing the emergence of a dynamic new force with the establishment of Story Garden, an independent production company based in Munich. This venture brings together an impressive team of seasoned professionals, including former Wiedemann & Berg Managing Director Justyna Muesch, producer Sofie Scherz-Fleischer (commonly known as Scherz), and director Alireza Golafshan.
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The Philippine film industry has long been a treasure trove of unique storytelling and cultural narratives. Recently, Rein Entertainment—a prominent production house established in 2017 by industry veterans Shugo Praico, Lino Cayetano, and Philip King—has made headlines with its ambitious plans to unveil an extensive slate of films and series at the prestigious Asian Contents
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As the film industry continually evolves, Netflix’s commitment to providing diverse cinematic experiences is evident in their recently announced 2025 film slate, unveiled at the Busan International Film Festival (BIFF). This collection reflects an intriguing mix of genres, partnerships with renowned filmmakers, and a spotlight on emergent storytelling formats. One of the standout projects is
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The Busan International Film Festival (BIFF) has long been a platform for filmmakers from across Asia to present their unique stories against the backdrop of rich cultural narratives and complex socio-political realities. This year, the spotlight has turned towards Mohammad Rasoulof, the jury president of the New Currents section, whose own journey reflects both the
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John Hsu’s innovative horror comedy, *Dead Talents Society*, stands out as the frontrunner for this year’s Golden Horse Awards, garnering an impressive eleven nominations. This film intricately blends humor and horror by presenting a fictional afterlife where ghosts can extend their earthly existence through competitions to haunt unsuspecting humans. The narrative presents an intriguing perspective
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In a bold and strategic pivot, Netflix has secured a groundbreaking five-year exclusive partnership with acclaimed director Hitoshi One. Following the rapid success of his crime drama series, *Tokyo Swindlers*, which deftly navigates the exploits of real estate scammers in Japan, this agreement marks a significant investment in the emerging wave of Japanese storytelling aimed
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The international box office is currently experiencing a distinct phase characterized by holdover performances from recently released animated films. As two significant productions vie for audience attention, the outcome remains uncertain, driven by contrasting levels of success and various market dynamics. Paramount/Hasbro’s “Transformers One” has made a notable mark, raking in $16.6 million during this
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