International

The 18th Asian Film Awards (AFA) showcased an impressive array of talent, underlining the richness of Asian cinema. The night felt like a grand reunion of creative minds, as actors, directors, and industry professionals gathered at the exquisitely stunning Grand Theatre at the Xiqu Centre in Hong Kong. This location, known for its architectural beauty
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In recent years, the Southeast Asian film industry has burgeoned, particularly in the horror genre. The latest venture from Mockingbird Pictures epitomizes this growth, as the Vietnamese company sets its sights on an impressive lineup of horror films from both Vietnam and Indonesia. This strategic move coincides with the heightened global appetite for spine-chilling narratives,
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The Israeli TV landscape has produced a plethora of compelling narratives, but few have elicited the buzz surrounding “Trust No One.” This soon-to-launch spy series is about to embark on an exciting journey, transforming from its original Hebrew format to an English-language remake under the stewardship of See-Saw Films. It’s not merely the story that
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The European film and television landscape stands on the brink of transformation, thanks to the recent appointment of Julie-Jeanne Régnaut as the Managing Director of the European Producers Club (EPC). Taking the reins from Alexandra Lebret, who dedicated over two decades to the association, Régnaut arrives with a wealth of experience that holds the promise
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The Hong Kong-Asia Film Financing Forum (HAF) stands as a beacon for aspiring filmmakers and seasoned industry veterans alike, gathered during the bustling Filmart week in Hong Kong. Entering its 23rd iteration, this signature event will unfold from March 17 to 19, showcasing an impressive 25 projects that exemplify the creativity and innovation emerging from
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The latest installment of the iconic Bridget Jones franchise, “Mad About the Boy,” has triumphed at the international box office, surpassing the impressive $100 million mark. Renée Zellweger’s return to the role of the lovable yet flawed Bridget Jones has resonated with audiences worldwide, and the film’s box office performance is a testament to the
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ProSiebenSat.1 Media recently released its financial results for the year 2024, illustrating a blend of resilience and struggle amid ongoing challenges in the media landscape. The company’s overall revenue reached €3.92 billion, marking a modest 2% increase from the previous year. However, this facade of growth belies deeper issues the company faces, particularly in the
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