International

Filipino filmmaker Lav Diaz has long been a vanguard of cinematic innovation, challenging conventional storytelling with his epic narratives and distinct aesthetic. His latest endeavor, *Beatrice, The Wife*, promises a continuation of this audacious tradition. In a recent masterclass at the Doha Film Festival’s Qumra event, Diaz shared thrilling updates about the film, revealing a
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In an era marked by conflict and tumultuous political landscapes, the role of cinema transcends mere entertainment; it embodies the potential for profound social commentary and change. The recent gathering at the Doha Film Institute (DFI), particularly the annual talent and project meeting, spotlighted the importance of storytelling in articulating the complexities of our world.
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“The Capture,” the acclaimed BBC surveillance thriller, is set to return for a third season, and the stakes have never been higher. This series, produced by Heyday Television and helmed by creator Ben Chanan, has captivated audiences since its inception with its provocative exploration of surveillance, technology, and ethics. The anticipated new season will not
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The diplomatic landscape often fosters an air of decorum, one that can be shattered in a moment. A glaring example emerged recently when President Donald Trump extended an invitation to Ukrainian President Volodymyr Zelensky. However, what was anticipated as a cordial meeting spiraled into chaos, with Trump openly accusatory towards Zelensky, insinuating that his leadership
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In the ever-evolving landscape of digital media consumption, Free Ad-Supported Streaming Television (FAST) channels are ushering in a new era of content distribution. Major players like Australia’s Nine Entertainment and WTFN are taking bold steps to capitalize on this burgeoning avenue, marking a significant shift in how audiences access and engage with television programming. This
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The recent turmoil surrounding the indie film *Angels in the Asylum* sheds light on a pervasive issue in the filmmaking industry: the precarious financial situations that threaten to undermine the hard work of countless crew members. The producers, Rob Sorrenti and Heather Greenwood, have publicly expressed regret over their failure to pay around 150 crew
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